Sniff sniff.
I hate packing away my sukkah. I love my sukkah.
It isn't fancy. It isn't one of those gorgeous sukkot you see in magazines, with matching decorations and coordinated colors. Mine is more like a family museum.
The Katz Family Museum of Childhood.
It has been collecting exhibits for more than 40 years. The security system is a safety pin.
Every year I open boxes of old drawings, photographs and decorations I haven't seen for twelve months. And every year, I remember.
The first piece of art I ever hung is now an antique. A torn green plate with an apple and a little jar of honey. It is almost 45 years old. I know it's torn. I know the colors have faded. If I saw it in a store, I wouldn't buy it. But I can't imagine my sukkah without it.Because the little boy who made it is almost 47 years old. Today he spends his days in the Knesset, fighting for veterans whose wounds are not always visible.
But when I look at that plate, I don't see a man who is almost 47. I see a little boy handing me his artwork. “Ema, this is for our Sukkah.”
And I put it up. And I kept it. For 45 years.
There are dozens and dozens like it. “Ema, this is for your Sukkah.” “Savta, this is for your Sukkah.”
Preschool cards. Drawings. Paintings. Things made from construction paper, crayons, glue and whatever else a preschool teacher could find. Some are beautiful.
Some are... well... you have to know the artist personally to understand what you're looking at. I love them all.
Every one is laminated or contact papered. Every one hangs from a safety pin. Preserved for the ages, or at least until the next strong wind.
Laminated Love
And then there are two cards that are different. They are beautiful Hallmark cards from my dearest mother, z”l. Her words are blessings for our family.
She is no longer here to say those words to me. But every year, I hang those cards in my sukkah. And when I look at them, my mother is still with me. Her handwriting. Her love. Her blessings.
One more generation hanging among all the drawings and paintings of the generations that came after her.
I have a golden Jerusalem made by my golden girl, who now works in Jerusalem.
I have the Old City, drawn in crayon by a little cutie who is now a captain, protecting our country.
I have a lulav and etrog that is 32 years old. The little boy who made it is 43. He is a rabbi. I think he is still pretty proud of that artwork.
And there are the preschool pictures of children who are now in high school. I remember their teensy hands giving me their creations. Now I look at the teenagers and wonder how on earth the years got away from me.
There are photographs, too.
For the ushpizin, I once dressed up seven of my grandsons as our holy guests and photographed them.“Little Avraham” is graduating yeshiva high school this year. Three of those little boys have already had their bar mitzvahs.
And there they hang, frozen in time.
Except, of course, they aren't frozen at all. They grew. They became themselves.That is what my sukkah has become. Not just a place to eat. Not just a place to invite guests. It's a family history book. Except the pages hang from safety pins.
Every year I add a piece or two. Every year I say, “Oh, look at this!” And every year I put it all back up.
The Museum Closes
And then comes the part I don't like. I take down the decorations. The table disappears. The lights come down. The museum closes its doors for another year.
Sniff sniff.
But maybe I don't really put the memories away. Maybe I just put the decorations away. Because the children are still here.
The little boy of the green plate is still here, just a grown man. The little girl who drew Jerusalem is still here, just working in it. The captain, the rabbi, the seven ushpizin... still here. Just taller.
And my mother is still here, too. Her blessings are still hanging on my Sukkah wall.
The chagim are over. The dishes are going back into the cabinets. The leftovers are almost gone. Regular life is beginning again.
But maybe this is regular life now. Making games for my grandchildren. Finding time to see them. Taking online classes, because at 70 I have decided there is still more to learn.
Finishing that book that has been sitting on my desk for years. Planning this year's “Dames of the Dance,” which is about Rebirth.
And so I tape up the last box. I write on it, in big letters: MUSEUM. REOPENS NEXT SUKKOT.
And somehow, as always, one safety pin ends up in my pocket.
B"H.
I'll find it in January, and smile.
Until next Sukkot. ❤️







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